The Italian a capella group of five, Mezzotono, performed in front of the public audience they claimed to be the greatest under the concert title “The Mezzotono Show” in Ice Palace hall, Jakarta, 29 September.
Indeed, the title implied an attempt to present a more than just musical concert, but combined with a rehearsed stage comical gesture. They take the laughter business seriously.
As a capella rose steadily as a musical style without the accompaniment of instruments since Renaissance, and was made apparent at church service, its development in the current days has brought a variety set of culture that predisposes to the new pop-oriented styles.
In the case of the globe-trotting, Italian modern cultural ambassador Mezzotono, their show is strongly committed to the diffussion of Italian music and culture through voices that managed to reproduce the sounds of instruments, often introducing a comic touch and encouraging audience participation.
Besides, who is not surprised by the sound effect of electronic beats and synthesizers that was coming from vocal section?
But the audience seemed to be slow in adapting with the show due to initial failure in expecting an original musical performance with a twist of humor exchanges. And perhaps, the selection of Italian songs only gained an appreciation but less enthusiasm.
The sweet, final touch
However, the “greatest audience” came to fully enjoy the show apparently at the end of the show, when Mezzotono had concluded one of Italian’s most recognized song of 1962 Quando, Quando, Quando, or the hilarious, inventive twist of the Gangnam Style.
Humor never lost its universality. As the tenor vocalist Fabio Lepore, insisted the audience to at least try and make it look hard to see show ended, they have invented a novelty in a capella show.
Four other members are Daniela Desideri as soprano, Gaia Gentile as the semisoprano, Marco Giuliani as the baritone, and Alessandro Gnolfo with his fine skill of mimicking the multilayered sound of drum set as the bass vocal.
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