Dance film performance in the streets of south Jakarta

webbanner-2017-mei-helatari-think archipelagoHelatari Salihara 2017 is Komunitas Salihara’s regular dance event held in Teater Salihara, Jakarta. think archipelago is a proud media partner of the event which runs from 8 until 18 June 2017. To see more of their schedule, please click the Jazz Buzz Salihara 2017 banner found in think archipelago website.


The interaction between dancers, people on the streets, cinematographer, and a technology-savvy all in real time basis event presents an art-technology work of the choreographer Yola Yulfianti in a dance film performance, a bold idea that poses challenges in not only the unfamiliarity of the new medium, but also in the country’s current mobile data infrastructure.

Angkot is the Melting Pot uses live streaming to highlight the city transportation in Jakarta. For Yola, the Jakarta’s ubiquitous public minivan (angkot) suggests the physical closeness of the passengers crammed inside, but in awkwardness of a heterogeneous society. She also tempted to raise the impact of app-based transportation to the drivers that eats up a huge share of customers this traditional public transportation is so dependent on.

The two dancers in a public minivan started performing all the way from Pasar Minggu to Galeri Salihara, where it hosted the Helatari Salihara 2017. While several times being dangerous to perform in the boisterous afternoon streets, they intuitively responded to the circumstances, the angkot, the shops, the intersection, the city itself.

The 30 minutes street dance performance was captured by the camera phone, transmitted to the gallery and projected live at Galeri Salihara.

Despite lagging due to low quality mobile data connection, the audio visual artist Patrick Hartono said it was expected that he was half satisfied with the first trial at D-1.

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Choreographer Yola Yulfianti and Cinematographer Purbo Wahyono talks to the press during rehearsal at Galeri Salihara, 17 June 2017

He admitted that the case would have been different in a more developed parts of the world, but he clinged to another view that art should not be affected by the perfect result, but more importantly, the clear evidence of the process.

Yola said that she had encountered the streets of Jakarta such as Kampung Melayu or Kwitang ever since 2009, and collected the observations in numerous places for the future basis of her subsequent works.

She added that the medium to implement her idea depends much on the technological possibility. Harnessing it would bring her works to the scope of audience an ordinary show cannot possibly reach, that is the people on the streets where the dance takes place, the audience sitting in the art venue, and the internet users stumbling across video sites such as youtube while browsing.

The purpose of this work is to explore the complexity of the city, about how to read the city and then write the city into a work and bring humanitarian interaction. The process of artistic research does not focus on mainstream art products and terminology.

Not a product of a work of dance or a film product but about experience in the realities of urban life. The ability of the body as a medium of expression relates to other mediums, producing work that grows organically born just as the process of extracting ideas.

As for the expression it becomes a total expression, the sensitivity of being a dancer through the digging of the media of digital technology revealing the symptoms of the city’s social environment.

Angkot is the Melting Pot is inspired by daily experiences when riding on Jakarta’s urban public transport, or angkot. Inside an angkot, the distance between bodies seems negligible and yet so foreign. Yola Yulfianti is a dancer and choreographer who graduated from Jakarta Institute of Arts. She received the Pearl Award at Dance Film International in Berlin in 2009. She also received Hibah Cipta Perempuan from Yayasan Kelola in 2014. Previous creations include Salma: A Little Escape (2013), Update Status (2013) dan I Think. . .Tonk (2014).

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