There has not been any feverish polemic on art in Indonesia like what happened in the past. The memory of the 1974 Desember Hitam (Black December) manifesto following the disillusioned young artists in the defeat and humiliation in the art competition of that year held by Jakarta Art Council reemerges at the same place 40 years later, in Taman Ismail Marzuki. Continue reading Exuberant and uninhibited